Pamela H. Smith

Pamela H. Smith

Seth Low Professor of History
Director of the Center for Science and Society at Columbia University

605 Fayerweather Hall
Phone: (212) 854-7662
Email: ps2270@columbia.edu
Office Hours: Wednesday 10:30AM-12:30PM

Education

Ph.D. — The Johns Hopkins University, 1991
B.A. (Hons) — University Of Wollongong, New South Wales, Australia, 1979

Interests and Research

Pamela H. Smith, professor, specializes in early modern European history and the history of science. Her current research focuses on attitudes to nature in early modern Europe and the Scientific Revolution, with particular attention to craft knowledge and historical techniques.  She is founding director of the Center for Science and Society at Columbia University: http://scienceandsociety.columbia.edu/

Snakes, Lizards, and Manuscripts: Humanists in the Laboratory,” University Lecture, Columbia University, December 2, 2013. Available here: 
http://www.youtube.com/watch?v=NhRXVKDlYjo&feature=youtu.be 

Interview with the Columbia Record:
http://news.columbia.edu/pamelasmith 

Max Planck Institute for the History of Science, Convenor of the Working Group, "Itineraries of Materials, Recipes, Techniques, and Knowledge in the Early Modern World:"
http://www.mpiwg-berlin.mpg.de/en/research/projects/DeptII_Smith_Itineraries

Co-Convenor of IIAS Summer School, "Reading Craft: Itineraries of Culture, Knowledge and Power in the Global Ecumene:"
http://www.iias.nl/masterclass/reading-craft-itineraries-culture-knowledge-and-power-global-ecumene

Deadline for Folger dissertation writing workshop: 2 June 2014 is the admission and grant-in-aid deadline for the following Folger Institute program:

Researching the Archive

Jean E. Howard and Pamela H. Smith direct a year-long seminar for dissertation writers, meeting once a month on Fridays.

Courses

NEW LABORATORY SEMINAR:
HIST G8906Craft and Science:  Objects and Their Making in the Early Modern World
Fall 2014T & Fri 9-10:50

This course will study the materials, techniques, settings, and meanings of skilled craft and artistic practices in the early modern period (1350-1750), in order to reflect upon a series of issues, including craft knowledge and artisanal epistemology; the intersections between craft and science; and questions of historical methodology and evidence in the reconstruction of historical experience.  The course will be run as a “Laboratory Seminar,” with discussions of primary and secondary materials, as well as hands-on work in a laboratory.  This course is one component of the Making and Knowing Initiative of the Center for Science and Society.  Thus, in its first years, this course contributes to the collective production of a transcription, English translation, and critical edition of a late sixteenth-century manuscript in French, Ms. Fr. 640.   Students are encouraged to take this course for both semesters (or more), but will receive full credit only once.  Different laboratory work and readings will be assigned each semester.

  • HIST G9102: Knowledge in Transit in the Early Modern World
  • HIST W3103: Alchemy, Magic, and Science
  • HIST 4101: The World We Have Lost: Daily Life in Pre-Modern Europe
  • HIST W4120: Witchcraft and the State in Early Modern Europe
  • HIST G9101: Material Culture and the Life of Objects in Early Modern Europe

Awards

  • Leo Gershoy Prize for The Body of the Artisan awarded in early modern European History by the American Historical Association, 2005
  • Pfizer Prize for The Business of Alchemy awarded for best book of the year in the history of science by the History of Science Society, 1995
  • Scholar in Residence, Robert H. Smith Renaissance Sculpture in Context, Victoria & Albert Museum, London, May 2012.
  • Visiting Scholar, Max Planck Institute for the History of Science, Berlin, July 2011
  • Alliance Program, seed grant for project on “Circulating and Connecting Knowledge in Early Modern Europe, 1450-1850,” with Bruno Belhoste, Université Paris 1 Panthéon Sorbonne, 2009-10.
  • Fellow, Davis Center for Historical Studies, Princeton University, 2009-10
  • Samuel H. Kress Paired Fellow, Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington, D.C., co-grantee Tonny Beentjes, Programme Leader, Metalwork Conservation, Instituut Collectie Nederland (ICN), Amsterdam. 2007-08
  • NSF Grant #SES-0444302 for Conference on "Ways of Making and Knowing: The Material Culture of Empirical Knowledge," London 11-15 July 2005.
  • Andrew Mellon Foundation New Directions Fellowship for research at the Victoria and Albert Museum, London, 2003-04, 2009-10
  • Getty Research Institute Scholar, 2000-01
  • Visiting Fellow, Downing College, Cambridge, 2000
  • John S. Guggenheim Fellow, 1997-98
  • National Endowment for the Humanities Research Fellowship, 1997-98
  • Sidney M. Edelstein International Fellowship for research in the history of chemistry, 1997-98
  • Fellow, Wissenschaftskolleg - Institute of Advanced Study, Berlin, 1994-95

Selected Publications

Books

Making Knowledge in Early Modern Europe: Practices, Objects, and Texts, 1400-1800

The Body of the Artisan: Art and Experience in the Scientific Revolution

Merchants and Marvels: Commerce, Science and Art in Early Modern Europe

The Business of Alchemy: Science and Culture in the Holy Roman Empire

Articles

  • “Between Nature and Art: Casting from Life in Sixteenth-Century Europe,” Making and Growing: Anthropological Studies of Organisms and Artefacts, Elizabeth Hallam and Tim Ingold, eds.(Ashgate, 2014).
  • “Introduction” and “The Matter of Ideas in the Working of Metals in Early Modern Europe,” The Matter of Art: Materials, Practices, Cultural Logics, c. 1250-1750, Christy Anderson, Anne Dunlop, Pamela H. Smith, eds. (Manchester University Press, 2014.)
  • “Introduction” and “Making as Knowing: Craft as Natural Philosophy,” Ways of Making and Knowing: The Material Culture of Empirical Knowledge, co-edited with Amy Meyers and Harold J. Cook (Bard Graduate Center/University of Michigan Press, 2014).
  • “Knowledge in Motion: Following Itineraries of Matter in the Early Modern World,” in Daniel Rogers, Bhavani Raman, Helmut Reimitz, eds, Cultures in Motion (Princeton: Princeton University Press, 2014), 109-33. 
  • “The History of Science as a Cultural History of the Material World,” Cultural Histories of the Material World, ed. by Peter Miller (University of Michigan Press, 2013), 210-225. 
  • “Making Things: Techniques and books in early modern Europe,” Things, Paula Findlen, ed. (London: Routledge, 2013), pp. 173-203.
  •  “In the Workshop of History: Making, Writing, and Meaning,” Shaping Objects: Art, Materials, Making, and Meanings in the Early Modern World, an article series of West 86th: A Journal of Decorative Arts, Design History, and Material Culture, 19 (2012): 4-31.
  •  “Craft Secrets and the Ineffable in Early Modern Europe,” Secrets and Knowledge in Medicine and Science, 1500-1800, ed. by Elaine Leong and Alisha Rankin (Ashgate, 2011): 47-66.
  • “Science,” The Oxford Companion to History, ed. by Ulinka Rublack (Oxford University Press, 2011): 268-97.
  • “Why Write a Book? From Lived Experience to the Written Word in Early Modern Europe,” Bulletin of the German Historical Institute, 47 (Fall 2010): 25-50. Online link: http://ghi-dc.org/bulletin
  • “Nature and Art, Making and Knowing: Reconstructing Sixteenth-Century Life Casting Techniques” (with Tonny Beentjes), Renaissance Quarterly, 63 (2010): 128-179.
  • “Vermilion, Mercury, Blood, and Lizards: Matter and Meaning in Metalworking,” in Materials and Expertise in Early Modern Europe: Between Market and Laboratory,” ed. by Ursula Klein and Emma Spary (University of Chicago Press, 2010), pp. 29-49.
  • “Science in Motion: Recent Trends in the History of Early Modern Science,” Renaissance Quarterly, 62 (2009): 345-375.
  • “Alchemy as the Imitator of Nature,” Glass of the Alchemists, catalog for an exhibition at the Corning Museum of Glass, ed. by Dedo von Kerssenbrock-Krosigk (Corning Museum of Glass, 2008), pp. 22-33.
  • “Collecting Nature and Art: Artisans and Knowledge in the Kunstkammer,” in Engaging With Nature: Essays on the Natural World in Medieval and Early Modern Europe, ed. Barbara Hannawalt and Lisa Kiser (University of Notre Dame Press, 2008), pp. 115-136.
  • “'Art' is to 'Science' as 'Renaissance' is to 'Scientific Revolution'? The problematic algorithm of writing a history of the modern world,” New Directions in Renaissance Art History, ed. James Elkins and Robert Williams (Routledge, 2008), 427-445.
  • “Artisanal Knowledge and the Representation of Nature in Sixteenth-Century Germany,” The Art and History of Botanical and Natural History Treatises, ed. Therese O'Malley and Amy Meyers (Washington D.C., The National Gallery Center for the Advanced Study of the Visual Arts, 2008), 14-31.
  • “Making and Knowing in a Sixteenth-century Goldsmith’s Workshop,” in The Mindful Hand: Inquiry and Invention between the Late Renaissance and Early Industrialization, ed. Lissa Roberts, Simon Schaffer, Peter Dear (Amsterdam: KNAW Press, 2007), 20-37.
  • “Alchemy as Kulturträger,” Essay Review, Metascience, 15 (2006): 474-82.
  • “Laboratories,” ch. 13, The Cambridge History of Science, Vol. 3: Early Modern Europe, ed. Lorraine Daston and Katharine Park (Cambridge University Press, 2006), pp. 290-305.
  • “Art, Science and Visual Culture in Early Modern Europe,” Isis, 97 (2006): 83-100.
  • “Splendor in the Grass: The Powers of Nature and Art in the Age of Dürer,” with Larry Silver, in Merchants and Marvels, pp. 29-62.
  • “Giving Voice to the Hands: The Articulation of Material Literacy in the Sixteenth Century,” Popular Literacy: Studies in Cultural Practices and Poetics, ed. John Trimbur, University of Pittsburgh Press, 2001, pp. 74-93.
  • “Vital Spirits: Alchemy, Redemption, and Artisanship in Early Modern Europe,” in Rethinking the Scientific Revolution, ed. Margaret J. Osler, Cambridge University Press, 2000, pp. 119-135.
  • “Science and Taste: Painting, the Passions, and the New Philosophy in Seventeenth-century Leiden,” Isis, 90 (1999): 420-461.

Affiliations

  • American Historical Association
    -Board of Editors, American Historical Review, 2008-11
    -Executive Council, 2004-06 (elected position)
    -Research Division Committee member, 2005-06
    -Gershoy Prize Committee, 1996-98
  • History of Science Society
    -Nominating Committee member (elected position), 2000-01 and 2008-09
    -Executive Committee member, History of Science Society, New York Section, 2008-present
    -Osiris Editorial Board, 2000-04
    -Executive Council (elected position), 2000-02
    -Committee on Education, 2000-02, Chair 20001-02
    -Isis Editorial Board, 1997-2000
    -President, West Coast History of Science Society, 1997
  • Renaissance Society of America
    -Vice President, 2014-16; President 2016-18
    -Associate Editor, Renaissance Quarterly and Council Member, 2006-12
    -Gordan Prize Committee member, 2008-09
  • Society for Austrian and Habsburg History - Executive Council, 2003-08
  • Nederlands Kunsthistorisch Jaarboek - Advisory Board, 2008-present
  • Bard Graduate Center and University of Michigan Press series, "Cultural Histories of the World," -External Editorial Board Member, 2009-present