Pamela H. Smith
605 Fayerweather Hall
Phone: (212) 854-7662
Office Hours: ON LEAVE
Ph.D. — The Johns Hopkins University, 1991
B.A. — University Of Wollongong, New South Wales, Australia, 1979
Interests and Research
Pamela H. Smith, professor, specializes in early modern European history and the history of science. Her current research focuses on attitudes to nature in early modern Europe and the Scientific Revolution, with particular attention to craft knowledge and historical techniques.
- G9102: Knowledge in Transit in the Early Modern World
- HIST W3103: Alchemy, Magic, and Science
- HIST 4101: The World We Have Lost: Daily Life in Pre-Modern Europe
- HIST W4120: Witchcraft and the State in Early Modern Europe
- HIST G9101: Material Culture and the Life of Objects in Early Modern Europe
- Leo Gershoy Prize for The Body of the Artisan awarded in early modern European History by the American Historical Association, 2005
- Pfizer Prize for The Business of Alchemy awarded for best book of the year in the history of science by the History of Science Society, 1995
- Scholar in Residence, Robert H. Smith Renaissance Sculpture in Context, Victoria & Albert Museum, London, May 2012.
- Visiting Scholar, Max Planck Institute for the History of Science, Berlin, July 2011
- Alliance Program, seed grant for project on “Circulating and Connecting Knowledge in Early Modern Europe, 1450-1850,” with Bruno Belhoste, Université Paris 1 Panthéon Sorbonne, 2009-10.
- Fellow, Davis Center for Historical Studies, Princeton University, 2009-10
- Samuel H. Kress Paired Fellow, Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington, D.C., co-grantee Tonny Beentjes, Programme Leader, Metalwork Conservation, Instituut Collectie Nederland (ICN), Amsterdam. 2007-08
- NSF Grant #SES-0444302 for Conference on "Ways of Making and Knowing: The Material Culture of Empirical Knowledge," London 11-15 July 2005.
- Andrew Mellon Foundation New Directions Fellowship for research at the Victoria and Albert Museum, London, 2003-04, 2009-10
- Getty Research Institute Scholar, 2000-01
- Visiting Fellow, Downing College, Cambridge, 2000
- John S. Guggenheim Fellow, 1997-98
- National Endowment for the Humanities Research Fellowship, 1997-98
- Sidney M. Edelstein International Fellowship for research in the history of chemistry, 1997-98
- Fellow, Wissenschaftskolleg - Institute of Advanced Study, Berlin, 1994-95
The Matter of Art: Materials, Technologies, Meanings, c. 1250-1650, co-edited with Christy Anderson and Anne Dunlop, Manchester University Press, forthcoming.
Ways of Making and Knowing: The Material Culture of Empirical Knowledge, co-edited with Amy Meyers and Harold J. Cook, Bard Graduate Center/University of Michigan Press, forthcoming.
“Knowledge in Motion: Following Itineraries of Matter in the Early Modern World,” in Daniel Rogers, Bhavani Raman, Helmut Reimitz, eds, Cultures in Motion (Princeton: Princeton University Press, forthcoming).
- “Making as Knowing: Craft as Natural Philosophy,” Ways of Making and Knowing: The Material Culture of Empirical Knowledge, co-edited with Amy Meyers and Harold J. Cook, forthcoming, Bard Graduate Center/University of Michigan Press.
- “The History of Science as a Cultural History of the Material World,” Cultural Histories of the Material World, ed. by Peter Miller (University of Michigan Press, forthcoming).
- “Making Things: Techniques and books in early modern Europe,” Things, Paula Findlen, ed. (London: Routledge, 2013), pp. 173-203.
- “In the Workshop of History: Making, Writing, and Meaning,” Shaping Objects: Art, Materials, Making, and Meanings in the Early Modern World, an article series of West 86th: A Journal of Decorative Arts, Design History, and Material Culture, 19 (2012): 4-31.
- “Craft Secrets and the Ineffable in Early Modern Europe,” Secrets and Knowledge in Medicine and Science, 1500-1800, ed. by Elaine Leong and Alisha Rankin (Ashgate, 2011): 47-66.
- “Science,” The Oxford Companion to History, ed. by Ulinka Rublack (Oxford University Press, 2011): 268-97.
- “Why Write a Book? From Lived Experience to the Written Word in Early Modern Europe,” Bulletin of the German Historical Institute, 47 (Fall 2010): 25-50. Online link: http://ghi-dc.org/bulletin
- “Nature and Art, Making and Knowing: Reconstructing Sixteenth-Century Life Casting Techniques” (with Tonny Beentjes), Renaissance Quarterly, 63 (2010): 128-179.
- “Vermilion, Mercury, Blood, and Lizards: Matter and Meaning in Metalworking,” in Materials and Expertise in Early Modern Europe: Between Market and Laboratory,” ed. by Ursula Klein and Emma Spary (University of Chicago Press, 2010), pp. 29-49.
- “Science in Motion: Recent Trends in the History of Early Modern Science,” Renaissance Quarterly, 62 (2009): 345-375.
- “Alchemy as the Imitator of Nature,” Glass of the Alchemists, catalog for an exhibition at the Corning Museum of Glass, ed. by Dedo von Kerssenbrock-Krosigk (Corning Museum of Glass, 2008), pp. 22-33.
- “Collecting Nature and Art: Artisans and Knowledge in the Kunstkammer,” in Engaging With Nature: Essays on the Natural World in Medieval and Early Modern Europe, ed. Barbara Hannawalt and Lisa Kiser (University of Notre Dame Press, 2008), pp. 115-136.
- “'Art' is to 'Science' as 'Renaissance' is to 'Scientific Revolution'? The problematic algorithm of writing a history of the modern world,” New Directions in Renaissance Art History, ed. James Elkins and Robert Williams (Routledge, 2008), 427-445.
- “Artisanal Knowledge and the Representation of Nature in Sixteenth-Century Germany,” The Art and History of Botanical and Natural History Treatises, ed. Therese O'Malley and Amy Meyers (Washington D.C., The National Gallery Center for the Advanced Study of the Visual Arts, 2008), 14-31.
- “Making and Knowing in a Sixteenth-century Goldsmith’s Workshop,” in The Mindful Hand: Inquiry and Invention between the Late Renaissance and Early Industrialization, ed. Lissa Roberts, Simon Schaffer, Peter Dear (Amsterdam: KNAW Press, 2007), 20-37.
- “Alchemy as Kulturträger,” Essay Review, Metascience, 15 (2006): 474-82.
- “Laboratories,” ch. 13, The Cambridge History of Science, Vol. 3: Early Modern Europe, ed. Lorraine Daston and Katharine Park (Cambridge University Press, 2006), pp. 290-305.
- “Art, Science and Visual Culture in Early Modern Europe,” Isis, 97 (2006): 83-100.
- “Splendor in the Grass: The Powers of Nature and Art in the Age of Dürer,” with Larry Silver, in Merchants and Marvels, pp. 29-62.
- “Giving Voice to the Hands: The Articulation of Material Literacy in the Sixteenth Century,” Popular Literacy: Studies in Cultural Practices and Poetics, ed. John Trimbur, University of Pittsburgh Press, 2001, pp. 74-93.
- “Vital Spirits: Alchemy, Redemption, and Artisanship in Early Modern Europe,” in Rethinking the Scientific Revolution, ed. Margaret J. Osler, Cambridge University Press, 2000, pp. 119-135.
- “Science and Taste: Painting, the Passions, and the New Philosophy in Seventeenth-century Leiden,” Isis, 90 (1999): 420-461.
- American Historical Association
-Board of Editors, American Historical Review, 2008-11
-Executive Council, 2004-06 (elected position)
-Research Division Committee member, 2005-06
-Gershov Prize Committee, 1996-98
- History of Science Society
-Nominating Committee member (elected position), 2000-01 and 2008-09
-Executive Committee member, History of Science Society, New York Section, 2008-present
-Osiris Editorial Board, 2000-04
-Executive Council (elected position), 2000-02
-Committee on Education, 2000-02, Chair 20001-02
-Isis Editorial Board, 1997-2000
-President, West Coast History of Science Society, 1997
- Renaissance Society of America
-Associate Editor, Renaissance Quarterly and Council Member, 2006-12
-Gordan Prize Committee member, 2008-09
- Society for Austrian and Habsburg History - Executive Council, 2003-08
- Nederlands Kunsthistorisch Jaarboek - Advisory Board, 2008-present
- Bard Graduate Center and University of Michigan Press series, "Cultural Histories of the World," -External Editorial Board Member, 2009-present